#I need to rework my design now

[mandms-blog-of-silly]

☆ Found this looking for Aurora Inspo for my design and it made me think about Bat Phantom and Moth Aurora, but like the Luna Moths.

☆ This is literally Aurora. Tell me I'm wrong.

the same way that phantom is a bat aurora is a butterfly and that’s why she wears the cape 🥹

[fantasykiri5]

you said bribes?? :> 40 whole seconds ago??

and i do love smallidarity so win-win! (love boat boys too, but i'm an ethubs shipper till the end) speaking of ethubs... could i request something fluffy with Etho and Bdubs? whatever you're in the mood for with 'em! romantic or platonic!

Pick up your lanky ass minecraft-boyfriend bridal-style! Why? Well, it’s quick, it’s easy, and it’s free!

[princehendir]

Does Minecraft incentivize killing golems though?

[wigglebox]

Arrival! [original characters Max and Jude]

[bonetrousledbones]

I absolutely HATE underswap. Always have. The fact that it just swaps characters personalities with no actual changes annoys me so goddamn much. There's no actual thought put into any of the swaps! If you're going to make a roleswap, I feel like it should at least do something meaningful with the characters, because otherwise it's basically just doing an aesthetics swap. Which is fine I guess. But then WHY WAS IT SO FUCKING POPULAR... also the fact that everyone obsessed over swap papyrus was so fucking frustrating (not because I don't like papyrus, quite the opposite, but because the only time he was the center of attention was when he was basically just sans but tall and orange.) speaking of which why the fuck did the fandom decide that papyrus' color was orange it makes no goddamn sense. he's never even connected to that color in game. where as red and blue he absolutely is. sorry this became an absolutely insane rant

*physically resisting the urge to type YEAH as the start of my sentence for the third time* NO I GET IT i think it’s another thing that can be super interesting and cool if done right but people are so damn LAZY about it!!!! especially since after a point they weren’t even the characters they swapped with anymore, they just turned into caricatures! nobody actually liked swap papyrus for his potential to be interesting, they saw him as a taller, “sexier” sans (who still didn’t act like sans.) swap sans was.................that!

but your last point i am JUMPING UP AND DOWN AND YELLING AND POINTING because i have been saying this for!!! YEARS!!!! i GET that its meant to be complimentary to sans but papyrus has never used orange magic ONCE!! SURE he has a much warmer color palette but that makes the blue a damn striking contrast!!!! everyone who joins me in drawing blue undertale papyrus is the coolest sexiest bitch on this earth and you heard it here first

[pyra-colony-au]

maybe shoulda looked up mining vehicles before designing mining type robots

[arolesbianism]

Thinking abt my bndori ocs again... I need to draw them more I love them all sm

[gemharvest]

FINALLY. SKETCH DONE.

[etherealvoidechoes]

Thanks to whoever added all the info about XCOM: Legends on the XCOM wiki, but at the same time I am getting a massive headache reading the "lore" of that mobile game.

That is such a trainwreck with a ton of the characters and the lore.

[pollen]

that manual i was talking about having to proof last night in my tipsy work rant..... i put it with design 😭 i spent probably 9 hours on this thing and i never want to see it again! however i'm not letting anyone else touch this thing i swear to god. it's me and the other managers only. get out of the pool it's time for adult swim and all that

[ivoirerose]

designated driver | charles leclerc

a reworking of an old fic of mine. no warnings except drunk idiots and mentions of sex. you have to pick up your drunk boyfriend from a night out.

Come pick your idiot up, he just started rapping Baby Got Back.

The text had come through from Carlos attached to a video of Charles singing along, trail of shot glasses surrounding him, and you couldn’t help but laugh as you watched the passionate way he belted every word.

You rolled off the couch, shoving your feet into your shoes and grabbing your keys off the counter, answering Carlos with a firm order to not let Charles have any more to drink.

You try stopping him, he’s a menace.

Well you couldn’t argue with that. You tapped in the address Carlos had sent you, pulling up outside of a bar, music blasting from the door as it opened, letting out a group of girls stumbling over their heels.

You texted to say you were outside, watching the door, and when they hadn’t emerged after ten minutes, you decided to go in and get your pack of drunks.

You spotted them almost as soon as you walked through the door, sitting in the corner. Charles had his arms around Pierre's shoulders, the pair now both singing along to Vanilla Ice while Carlos recorded them.

You shook your head as you made your way over to them.

“Am I interrupting something?”

Charles’ gaze shot to you immediately, smile lighting up his face.

“Baby!! Guys, look, it’s my baby. You’re here!” he stood up and stumbled over to you, hands on either side of your face, and you caught a strong whiff of tequila as he leaned close. “You. Are so. Pretty.”

“Thanks Charlie, you too,” you answered as you peeled him off you, raising your eyebrows at Carlos over his shoulder, the other boy just shrugging and gesturing to the glass-littered table.

“Aww, you think so?” Charles blushed, and you fluffed up his hair.

“The prettiest. And you know what pretty boys need? Their beauty sleep. What do you say we get you back, huh?” You asked as he turned to Pierre.

“She thinks I’m pretty,” Charles smugly told Pierre.

“You know who I think is pretty? Kika,” he mumbled. “Hey, I’m gonna call her.”

He went to take out his phone and you rushed over to grab it from him.

“No you’re not because Kika has a big job in the morning and if you wake her up just to tell her how shiny her hair is, she will kill you.”

“Boo! No fun,” he grumbled. “It is shiny though, isn’t it?”

“Super ahiny,” you gave in, pulling him from his seat to stand next to Charles. “Okay, Carlos, you get Pierre, I’ll get Charles.”

“Got it,” he answered, and as he stood up, he stumbled against the chair, crashing to the floor. You watched as he pulled himself up by the table edge. “Woah, Y/N, did you see the way the floor just rose up then?”

You sighed, rubbing your hand over your face.

“Okay, never mind, I’ll get all three of you.” You reached over to grab him, linking your arm through his, Pierre on your other side. “Charles, link with Pierre. No letting go, children, come on.”

You led them through the bar, saving them from a stumble every few steps. You got to the exit when Charles stopped you.

“Wait, wait, baby, this bouncer? Here? He didn’t believe I had the prettiest girlfriend in the world. Can you believe that?” He gestured to the guy manning the door. “And now, she’s here, see, isn’t she the prettiest?”

You blushed, apologising to the guy as you pushed your way through.

“Wait, but he said…”

“Charlie, you’re gonna be the death of me!” you opened the door for him, shoving him into the passenger seat before wrangling the other two boys into the back.

You climbed into your own seat, clicking the child lock before setting off.

“Hey, can we put the radio on?” Pierre called from the back, and Charles reached out before you could answer, cheering as the sound of Bob Marley came from your speakers.

You smiled as they all sang along, and before you knew it, you were pulling up outside their hotel.

“Can you guys get in okay?” You asked, ignoring Pierre’s offended scoff at your question as he pulled at the door handle before turning to you with a sad look. “It won’t open, Y/N.”

You smiled as you clicked the button to unlock the door, and they climbed out of the back of your car. You and Charles watched them wobble their way to the door and stumble in, giving big waves as they stepped inside.

“Idiots,” you mumbled.

“I agree,” Charles answered sleepily.

“I was including you in that.”

“Hey! I’m your idiot.” He defended, and you couldn’t help but nod at that. “Can we stop for fries?”

“Are you gonna order four portions and then eat two bites before falling asleep again?”

“No?”

“Charles.”

“Okay, no fries.”

You rolled your eyes, signalling to pull in the nearest drive-thru, ignoring your boyfriend’s elated cheer.

“One portion, Charles, One.”

“Deal. Give 'em.”

He stuffed four into his mouth at once, groaning at the taste.

“God I love you.”

“You talking to me or the fries?”

“Honestly, right now, I’m not even sure.”

You giggled and he turned to look at you, eyes drunk and hazy.

“I do love you. A lot. You’re so pretty. And nice. And smart. And funny. And great in bed.”

“Charlie!”

“It’s true!”

“God Carlos was right, you’re a menace.”

“Yeah but you love me.”

“Yeah. I do.”

…

“Speaking of great in bed?”

“Charles, no!”

[thesiltverses]

A very big thank you

I posted this on Patreon, but really wanted to share it here as well:

Post-show life begins

For a long while now I’ve been getting up at 4.30 or 5am, grabbing myself the first coffee of four, and then coming to sit at my desk.

I open up the assembly cut of the newest TSV episode.

I listen to it, I try and pin down which scenes I need to be going back over today. I try and push through the entire morning without a break because when the momentum stalls, that’s what kills your release schedule. (I also worry endlessly about just how much of my hair is falling out, and how spending 12 hours a day wearing headphones could be contributing to that.)

Today was different. I still woke up early - it’s a hard habit to shake off, and probably a useful one going forward. But I didn’t go to my desk, and I didn’t put my headphones on.

I went to the rocking chair we bought for our son when he comes, and I sat there - gently swaying and trying not to spill my coffee all over it, because for some reason it’s fucking beige - and looked out over the city skyline. 

I slugged back my coffee surrounded by all the stuff we’ve panic-bought for the baby, and I got to take all of it in - washcloths and the changing table and romper suits - with a sudden focus and a clarity and a rising excitement that I really hadn’t allowed myself to feel until today, because until today the work was still unfinished and there was still much left to be done.

All at once I felt very free, and fully sated, and happy and proud for everything that’s coming next.

There’s so much to feel grateful for from the past three years of working on this show. But what’s probably going to sit with me the most is being able to arrive at that moment and those feelings today, - and we have all of you incredible people to thank for that.

Not just in terms of listenership or financial support, although that’s been truly invaluable and a lifeline for us that’s enabled us to actually make the show - but also your enthusiasm, your passion, your jokes and comments and everything that’s helped to keep us motivated and working on it.

So - with as much feeling as words can convey, thank you so, so much for everything.

What’s coming next, in rough order

#1: Parentdom is going to take over our lives for a while! I also want to write the final Patreon episode commentaries in the next few days, while I have the time and the clear memories. #2: The next thing we’ll organise will be the post-season Q&A (we’d also like to do some kind of off-camera cast party if we can make schedules work, just to say thank you to our amazing VAs and celebrate with them). Please do ask us questions! #3: We have long-unfinished commitments to the Patreon which I need to complete: the last two episodes of So Long, Good Luck, and rounding off Sid Wright’s story. As ever, huge thank-yous for your patience with these; they’ve just been impossible to polish off while also working on the main show so much. #4: Something I’ve been thinking about for a long time is the possibility of going back to Season 1 and redesigning it from scratch to try and bring it closer in style to S2 and S3. We have the raw audio files - some of the mic quality will just be rough no matter what, but we can certainly try.  This is something I want to be conscientious and careful about; I very much want to respect the sound design work that’s already taken place, and ensure we’re not overriding anything. But I do know that the initial quality still sometimes puts new listeners off; we were learning a lot about direction and mastering from scratch, and our designers were working with limited budget and a total lack of plugins, so there’s simply a lot more we can achieve now. (This would also be a good opportunity for me to finally rework the transcripts, another fallen hurdle). #5: A few months back, we were contacted by a literary agent in NYC who was interested in us adapting the show into a series of novels. There’s a long road ahead to actually get published, but I'm thrilled to say that I have signed with them and I’m really excited to hopefully start work on the first book once I’ve settled into dad-dom. I’ll need to check what’s possible, but if it doesn’t interfere with any contract condition I’d obviously love to share excerpts on here as it’s written. #6: Then there’ll also be another larger audiodrama project - we’ve spoken about the different possibilities before! Excited to get started on our final choice.

Just one last word about endings

God, endings are scary. Because endings are impossible.

How many serialised stories actually end in a way that’s received unequivocally well?  People yelled at The Sopranos for its ambiguity and open-endedness. People criticised Breaking Bad for treating Walt too sympathetically at the end and relying on a generic mob of snarling Nazis to act as his final foe.

Endings are either too pat and neat, or too inconclusive to be satisfying, or too surreal and dreamlike, or they simply make what feels like the wrong choices for the characters we care about. We’re all caught in that barbed wire, creators and audience alike, weighed down by the baggage of what’s come before and we've already spent so much time anticipating the infinite possibilities of how it could all turn out - it’s like we can’t get free of the story that’s trying to end. 

And the beautiful thing about these longform, iterative works is that they insist upon becoming completely ungovernable. No matter how much of a planner the creator claims to be, how much prepwork they carry out - they were never really in control. There’s spontaneity and surprises and dead ends and beautiful distractions that come spilling out along the way (I was baffled and delighted to learn that people really - at the end of the show, with such limited time to spare - wanted to find out what had happened to Eddie*). 

So they can’t end. Not really. There’s too much wonderful mess in them to ever be reasonably disentangled.

And, of course, for every ending people remember with frustration or dissatisfaction, there’s another hundred endings that nobody remembers at all, because we lost our enthusiasm along the way and it feels better to keep going back to the start and avoiding the slow decline. (Who the fuck remembers how the umpteenth X-Files reboot ended? What increasingly tired post-modern antics was Alan Moore getting up to in the final League of Extraordinary Gentlemen books?). I really just didn’t want the show to end up in that latter category.

All of that probably sounds like I’m warding off criticism about the show's ending, but for me it’s actually been the opposite. 

For an ending which is all about narrative dissatisfaction, and failed potential and missed opportunities, and how we need to come to terms with the lack of existential fairness and certainty and narrative control in our lives and keep ploughing forward all the same for as long as we possibly can, I’m massively stunned at just how positive the reception has been on here and elsewhere, and that’s something I’m actively having to process, because I think I was fearfully anticipating much more pushback.

But, look - the Eskew finale was originally quite poorly-received and then people came back around to it over time. So I’m not going to pat myself on the back too hard, because maybe it’ll ultimately be the opposite with this show, and that’s OK. For 200 years everyone was convinced King Lear was improved by having everyone survive at the end and get married. Endings take time to settle into their final condition.

For now, I am incredibly relieved that the ending we chose seems to have landed for most people, and I’m incredibly grateful for the lovely messages we’ve got about it and for the trust in us that you’ve all shown throughout the story.

So, yeah, let’s end with another thank you, because that’s what I feel so deeply and so forcefully at this point.

Thank you so much again, and speak soon.

Jon

*My take? We’ve established that the guy is in some kind of blue-collar job and has been pushed into constant overtime due to the reduced workforce. We’ve seen that the so-called ‘national holiday’ doesn’t actually rescue workers from their commitments. So I personally imagine that Eddie was working during the parade somewhere on the city outskirts, and is alive and well.

[dontmixpaintinyourcoffee]

Reworking my White Knight design. Notes under the cut as per usual

There are three primary inspirations that I'm working off of:

The Three Muskateers

Knight's Armor

Masquerade Costumes

I've been trying to think about it from two practical perspectives, Darling's, and my own.

For Darling she needs to be able to suit up fairly quickly, and have enough coverage to completely hide her identity. It also can't be too heavy or she risks slowing herself down.

And then for me I just don't want to draw overly complicated armor every time I draw her in action. So she needs to be at least somewhat recognizable as a knight without the design getting overly busy. I also think it's very boring to have this wonderlandian vigilante just be a normal knight.

So here's some stuff about all that!

Her outfit starts with a base layer (shirt, trousers, ect.) then she adds padding, and pieces of leather armor on her arms and legs. Then over that she adds a very light flowy tunic to disguise some of that protection (it's good to keep your enemies guessing, and it provides a nice non-threatening appearance for the people you're trying to help. Princess lessons can be very helpful when it comes to public reputation.) Then she has plate armor on her chest, as well as greaves and boots. It's all very pieced together out of stuff she's scavenged from around wonderland and in abandoned lockers. None of it is made to go together.

The belt doesn't have a scabbard, she keeps her sword across her back, but it does have lots of loops for carrying extra stuff that Darling wants to have on hand. When she finds various foods and potions and other weird little tools in wonderland she can tie them to her belt for easy access during emergencies.

The hair is a whole separate ordeal. First she puts it under a head covering that kind of serves as a bald cap (but also hides her very recognizable hair even if the hat and wig come off). Then she puts the wig on top, and puts on the porcelain mask. The mask is well-fitted, enchanted to disguise her voice, and can be tied at the back under the wig. And after all that she puts on a very fetching hat. There's no real purpose to it, she just thinks it looks cool

Add cape for extra heroic effect! Now you can channel all your repressed rage into your alternate identity while hitting things with swords and providing aid to the masses

[mtkay13]

My version of the wardrobe template! yay!! I had a LOT of fun doing this and feel like I could elaborate a bit more on each of those.

It's already linked up here, but here's once again a > link to the post.< Anyway! More about these designs below!

So first, for WKX's template! - Chapter 2: Grey robes I had already made my design of those for the full TYK lineup I made a while back. I really, really like those, and took inspiration from some of the robes SHL!WKX wears in the show for the shapes. - Chapter 69: dark robes with dark red belt I expected to like that style for him, but not that much! I had seen a tutorial on how asymetrical hanfus were worn by archers in the past and that inspired me, purely on a fashion level of course. I like how intimidating he looks with those and enjoy the touches of blue in the inner layer of the robes. - Chapter 75: dark red robes The GVM robes! which I also designed a while back when researching for the illustrations of the Mt Fengya battle scenes that I wanted to make. I reworked them just a little bit and got rid of some details that I didn't like anymore. I tremendously pleated skirts for WKX so I went at it once again. I also used shifts in hues to make it look like it could have been drenched in blood. - Extra 5: deep red robes For the reminder (since apparently some people are not aware of extra 5's existance), this extra is set 5 years post-canon. I wanted WKX to wear something that looked comfortable for traveling but also practical and fashionable. The teal jacket is of course another nod at SHL since the red and teal combo was an absolute banger. Let's say I didn't want WKX to just sport an all-red look. Furthermore, the teal really works to adorn the red hues. - My personal favourite I actually don't really know whether those are my actual personal favourites, but I've come to LOVE WKX dressed in red and white thanks to @kwehxing's designs. I think it really suits him and on top of that it avoids the question "is this Hua Cheng" LMAO--okay jokes aside, I combined most of the shapes that I really like for WKX (wider shoulders, wide sleeves, and long robes with pleated inner robes) and I find him very elegant like this. Now, for ZZS! - Chapter 1: sapphire blue scholar robes Those had already been designed before as well! They're my go to generic TC!ZZS robes, haha. I was a bit extra with the blue colour here, but oh well. I'm quite obsessed with the silver brocade cynching his waist, haha. - Chapter 2: stolen farmer robes A classic as well as far as I'm concerned--of course, inspired by his hobo fit in SHL because it was quite efficient. I'm forever fond of my scruffy hobo!Xu and his toes poking from his sandals. - Chapter 18: luxurious robes from the Gao family Those were a new design! Which I had a lot of fun coming up with. Putting ZZS in a different colour scheme was also really nice. For those who don't remember, ZZS feels quite ridiculous when he sees himself in a mirror wearing those fancy robes while being so emaciated and still sporting his hobo mask. I wanted to give this "out of place" feeling; and also work on a very "wuxia" style for the robes, since this is jianghu and they were provided by Gao Chong. - Extra 5: black robes I'm incredibly fond of this design. I worked quite a bit on it, since I wasn't sure of where I wanted to go. My main guidelines were: practical and cool. I really like ZZS having a lot of room to move so ideally not too much fabric in the way, and I think he also needs arm braces to be rid of annoying sleeves. Of course, him looking much healthier and having a dynamic ponytail really works to "complete the look", and I find that he looks really cool there haha. - My personal favourite This one has been refined over the months, but it's definitely, overall, my favourite look for him in terms of shapes and construction. I like that the robes are short, I like the more fashionable jacket. I'm especially into the "pants tucked into the boots" silhouette, as well as the little ribbons keeping them tight around the ankles. I'd say that this leg shape + short robes + a bun (or sometimes a ponytail) is THE ZZS design combo for me, haha. It looks practical and fun and adventurous, just how I like it.

To conclude the whole post, I had more fun doing this than I even expected, and needless to say that I'm very excited to see other versions of them following this template. It was a good opportunity to try and project what the characters look like throughout the book, and a fun design exercise as well. I actually don't really like doing character design usually, but for characters I'm obsessed with, it's of course a much nicer experience. Anyway, thank you for reading!

[itsnotmourn]

the pristine cut update to slay the princess is pretty cool

(i talk about my au below but there will be spoilers for the game)

OH MY GOD IM GOING TO END MYSELF ITS SO GOOD. i guess i'll start one by one about the game routes and what that brings for the spooky month ladies

i couldn't decide with one specific route so i decided to make alternative endings for them! no need to choose between endings. makes life easier. case in point: lila, pump's mum and patty, as they can split into other endings in the third chapter.

lila

lila gets her good ending as a human being instead of a ghost who cheered

pump's mum

i'm not including most things from this route in the au as the game goes dark here (but it's a beautiful dark, watch a playthrough when you can!)

i did notice a theme of "i'm not happy here" and "the world moves on, and i'm still here" and i think i will be using that the most here to reflect of them working so far from home and being unable to leave to see their kids.

so in my au, this route will be reworked by me until we get some canon material about pump's dad's feelings about work

actress

soft vore vs hardcore cannibalism (?) as a metaphor for devotion. amazing.

patty

oh yeah, patty is one of the princesses now, with john as her skeptic foil!

she actually fits more with the drowned grey route than the cage as she wears a funeral dress and all. however, i like the cage's design more with the head separated from the body lol

then i figured... john is smart, logical and questions the strange, which makes him a good fit to be the skeptic.

carmen

the game updates this route pleasantly. not a lot, but it's completes the route more!

in the apotheosis route, you can try to run or attack but either ending is the same. now, you can successfully attack her!

though, fun fact: all the princesses don't really react to pain. however, the tower/apotheosis both scream; that's so fun to me as they view themselves as godlike and resistant to wound.

radford/contarian in this route is also funny to me because imagine standing against a blinding god with unimaginable power and going "we can beat her lmao"

jaune

uhhhh nothing much for jaune update-wise, but i felt bad if i didn't include her so...! she's here :]

oh and one last thing:

that's y/n

[justheblueberry]

handbinding of A Study in Scarlette by kittebasu

There are people who want to live forever, and then there is Shinichi, who just wants to live a little longer than this.

this bind has been in my head since i first read the fic like, three years ago. i dreamed up so many ideas for it, for so long, and now it's finally done! the typeset was actually done in early 2022, back when i was still using google docs, but it went through a few iterations because i was just. so. fiddly. with every aspect of this book. it needed to be perfect (as close to perfect as i, an amateur bookbinder out of my depth, can get) and it had to be absolutely over the top, to reflect the insane amount of love and care that the author put into the fic itself.

the first time i read this fic, i barely knew what detective conan was, much less all of the intricate plot details; i was just along for the ride, but by the end i was completely invested. i went back and watched through the anime as well as a few movies (it took me six months) and then read the fic again. and then a few more times. kaishin and the world of dcmk has utterly gripped me. it's 100% this fic's fault and i love it so, so, much.

i went through a few iterations of visual designs and i'm really happy with the little details i managed to squeeze in.

the entire color scheme is based around red, because 1) it's a murder mystery, 2) for scarlette shinamoto (and the title of the fic as well as the original holmes novel it references), and 3) the irony of "lady red" actually being red. the secret fourth reason is that i think red/gold is a super sexy color combo.

i sewed the textblock with red thread to reference holmes' "scarlet thread of murder".

another detail i love is the five yen coin bookmark, it was one of my first ideas and it turned out even better than i thought.

i wanted the endpapers to evoke a sense of the white marbled floor of the ballroom, with the glow-in-the-dark kaitou kid caricature being the luminol on the floor, and the little pops of red looks like blood that's been mixed in. i lucked out in that the other side of the endpaper was like a lavender-purpley color, i like to think of it as a little wink wink nudge to the color of the actual Lady Red.

the chapter pages got a few reworkings, but i'm happy with the illustrations i ended up doing for each of them. the chapter titles are one of my favorite things about the fic, each one has so much meaning packed into it and flows so beautifully, and i wanted to put as much care into making them pop as possible.

the cover was a linocut carving i designed and carved, which i then printed onto the bookcloth, and ironed on htv on top.

i also threw in a couple of my drawings of my favorite scenes.

this is getting way too long, so i'll end it here. i'll have a separate post detailing the process every step of the way, if anyone wants to take a closer look. this fic is kind of directly responsible for getting me into fanbinding, so it's safe to say it altered the course of my life. i now spend way too much time (and money) looking at book stuff.

kittebasu, if, somehow, you see this and would like an author copy, i would be honored to make one and ship it to you; i would be overjoyed to gift you with any art i have the ability to make, because the fics you wrote have irreversibly altered my brain chemistry, and being able to give back in any capacity would be a dream. (thank you.)

a few postscripts:

i am not selling any copies of this fic. partially because i believe in the gift economy of fandom as well as firmly keeping fanbinding a hobby that will stay unmonetized, but also because it took me months (years, if we are counting when i first finished the typeset) to finish this and i do not have the strength.

however, if you are also a fan of this fic and would like a copy, i honestly, fervently, encourage you to give fanbinding a try! renegade publishing and its discord server are an absolutely wonderful and free resource. i knew nothing about bookbinding and had zero materials when i first started, but i've learned so much thanks to the lovely people there. if you're still apprehensive about getting started, i'd be willing to share my typeset of this fic as well as answer any questions about the making of this book if you DM me.